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Little Women (1994 film)

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Little Women
Theatrical release poster
Directed byGillian Armstrong
Screenplay byRobin Swicord
Based onLittle Women
1868 novel
by Louisa May Alcott
Produced byDenise Di Novi
Starring
CinematographyGeoffrey Simpson
Edited byNicholas Beauman
Music byThomas Newman
Production
company
DiNovi Pictures
Distributed byColumbia Pictures
Release date
  • December 25, 1994 (1994-12-25) (United States)
Running time
119 minutes
CountryUnited States
LanguageEnglish
Budget$15–18 million[1][2][3]
Box office$95 million[4]

Little Women is a 1994 American coming-of-age historical drama film directed by Gillian Armstrong. The screenplay by Robin Swicord is based on Louisa May Alcott's 1868–69 two-volume novel of the same title, the fifth feature film adaptation of the classic story. After a limited release on December 25, 1994, it was released nationwide four days later by Columbia Pictures.

It received critical acclaim and grossed $95 million worldwide. It received three Academy Award nominations for Best Actress (Ryder), Best Costume Design, and Best Original Score. It was followed by a loose sequel, Little Men.

Plot

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The March sisters—responsible Meg, tempestuous Jo, tender Beth, and romantic Amy—are growing up in Concord, Massachusetts during and after the American Civil War. Their father is away fighting in the war and, with their strong-willed mother, Marmee, they struggle with major and minor problems in 19th-century New England. The girls revel in performing Jo's romantic plays in their attic theater.

Next-door neighbor, wealthy Mr. Laurence's grandson, Theodore ("Laurie"), moves in, becoming a close friend of the Marches, particularly Jo. Mr. Laurence mentors Beth, whose exquisite piano-playing reminds him of his deceased daughter, and Meg falls in love with Laurie's tutor, John Brooke.

When Mr. March is wounded, Jo sells her hair so Marmee can go by train to nurse him back to health. While she is away, Beth continues visiting a struggling immigrant family, providing food and firewood. She contracts scarlet fever from the youngest child. Awaiting Marmee's return, Meg and Jo, who both previously survived scarlet fever, decide to send Amy away to live safely with their Aunt March. Amy laments to Laurie that she may die without ever being kissed. He promises to kiss her before she dies if she becomes ill.

Prior to Beth's illness, Jo had been Aunt March's companion for several years, and although she didn't enjoy it, she hoped she would take her to Europe. Beth gets worse, so Marmee returns home, nursing her to recovery in time for Christmas, but the illness severely weakens her. Mr. Laurence gives his daughter's piano to Beth, Meg accepts John Brooke's proposal and Mr. March surprises them, returning home from the war.

Four years pass; a now twenty years old Meg and John marry, and eighteen-year-old Beth's health is worsening. Graduating from college, Laurie proposes to nineteen year old Jo and asks her to go to London with him but, seeing him more as a brother than a lover, she refuses. Jo is disappointed when Aunt March decides to take seventeen-year-old Amy with her to Europe instead of her. She has been Aunt March's companion and wishes to further her artistic training in Europe. Crushed, Jo departs for New York City to pursue writing and experience life. There she meets Friedrich Bhaer, a German professor who challenges and stimulates her intellectually, introducing her to opera and philosophy, and encouraging her to write better stories than the lurid Victorian melodramas she has penned so far.

In Europe, Amy is reunited with Laurie. Disappointed to find he has become dissolute and irresponsible; she scolds him for pursuing her merely to become part of the March family. In return, he bitterly rebukes her for courting one of his wealthy college friends to marry into money. He asks Amy to wait for him in a letter while he works in London for his grandfather and makes himself worthy.

Jo is called home for Beth, who finally dies of the after-effects of scarlet fever. A saddened Jo retreats to the comfort of the attic, writing her life story. Upon its completion, she sends it to Professor Bhaer. Meanwhile, Meg has twins Demi and Daisy.

A letter from Amy tells them Aunt March is too ill to travel, so Amy must remain in Europe with her. In London, Laurie receives a letter from Jo about Beth's death, saying Amy is in Vevey, Switzerland, unable to come home. He immediately goes to be at Amy's side. They finally return to the March home as spouses, to Jo's surprise and eventual delight.

Aunt March dies, leaving Jo her house. She turns it into a school. Professor Bhaer arrives with the printed galley proofs of her manuscript but, believing Jo is married, he departs to catch a train to the West, to accept a professorship. Jo runs after him, explaining the misunderstanding. She begs him not to go. He then proposes to her, and she happily accepts.

Cast

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  • Winona Ryder as Josephine "Jo" March, an ambitious young woman, who longs to become a successful author.
  • Gabriel Byrne as Friedrich Bhaer, an older professor who falls in love with Jo while he works as a tutor in New York and eventually marries her.
  • Trini Alvarado as Margaret "Meg" March, the oldest March sister. She marries Laurie's tutor, John Brooke, and gives birth to fraternal twins: a boy, John (nicknamed "Demijohn" by Jo, which is shortened to "Demi"); and a girl, Margaret, called "Daisy" at home "so as to not have two Megs".
  • Samantha Mathis and Kirsten Dunst as Amy March, the youngest March child and quick-witted daughter. Instead of the brown hair and brown or green eyes of her three older sisters, she has golden curls and blue eyes. She later marries Laurie and becomes a successful painter. Amy was the only character played by two different actresses – Dunst portrayed her at twelve years old in the first half of the movie, Mathis as a seventeen-year-old in the second half of the movie.
  • Claire Danes as Elizabeth "Beth" March, the third March daughter and the pianist of the family. She is shy, good, sweet, kindly, and loyal. At the young age of fourteen, she contracted scarlet fever, which weakened her heart and resulted in her death four years later at the age of eighteen.
  • Christian Bale as Theodore "Laurie" Laurence, the young neighbor who becomes Jo's best friend in their youth. Later, he tries, but fails, to convince her to marry him. He eventually falls in love with and marries Amy.
  • Eric Stoltz as John Brooke, Laurie's tutor and Meg's eventual husband.
  • John Neville as Mr. James Laurence, Laurie's grandfather and a kind neighbor of the Marches.
  • Mary Wickes as Aunt Josephine March, the only March family member who still has a lot of money. Upon her death, her estate is left to adult Jo, who transforms it into a school for boys.
  • Susan Sarandon as Abigail "Marmee" March, the mother of the March daughters and the loving wife of Mr. March.
  • Matthew Walker as Robert March, the father of the four March daughters, Marmee's loving husband, and long-time devoted spouse.
  • Florence Paterson as Hannah Mullet, the loyal housekeeper of the March family since Meg was born. The girls think of her more as a good friend than a servant.
  • Janne Mortil as Sally Moffat, Meg's one and only good friend, who is quite rich and prosperous.
  • Donal Logue as Jacob Mayer

Production

[edit]

It took Little Women 12 years to find a studio. According to writer Robin Swicord and producer Denise Di Novi, "people just weren't interested in a movie with a lot of women".[5] One executive suggested a modern adaptation, with "the Marches...in the 90s and not happy about not having a car for Christmas".[5] Di Novi said that films like Little Women were dismissively referred to in the film industry as "needle in the eye" pictures, "where a guy would say to his wife, "I'd rather have a needle in the eye than go to that movie'".[5] These films were assumed to have no appeal for male audiences and thus deemed not worth the risk of production.[6] Eventually, Columbia agreed to consider the project under the condition that Winona Ryder was to play Jo.[5]

Originally, Gillian Armstrong wasn't on board with directing Little Women. She rejected the offer several times due to the similarities between Little Women and her previous film, My Brilliant Career.[7] However, with persuasion from Di Novi and Amy Pascal, Armstrong came to realize that the two films were different after all.[8] With the help of screenwriter Robin Swicord, they aimed to portray more mature themes than those of the previous adaptations, including family, growing up, and progressive feminism.[9] During pre-production, Armstrong decided not to look to the previous films for inspiration, choosing instead to stay true to the novel.[5]

Casting

[edit]

Along with Winona Ryder, already signed on to play Jo, offers for the roles of Marmee and Laurie were sent out to Susan Sarandon and Christian Bale. Sarandon almost turned down the role because "... it was towards the end of the school year, and I had a pretty strict policy about not leaving my young kids".[5]

The part of Amy was the most difficult casting decision to be made. This adaptation was the first and only to have two different actresses play Amy over the course of the film. According to producer Di Novi, there was something "weird" about having one actress playing first a child and then an adult: "It just didn't work."[5]

Among those to read for the role of Amy were the then-unknown Natalie Portman, and Thora Birch, who had already filmed Hocus Pocus and Patriot Games. In the end, Kirsten Dunst was chosen. Armstrong mentioned in a 2019 interview that "Kirsten Dunst really blew [other young Amy candidates] out of the water".[5] The role of the older Amy was a close decision between Reese Witherspoon and Samantha Mathis. Armstrong's first pick, if the production had decided on casting only one actress to play Amy, was Witherspoon.[5] However, casting director Carrie Frazier settled on Mathis for the part.

The initial candidate to play Bhaer, for Di Novi, was Hugh Grant, commenting "we all had a huge crush on [him]".[5] However, Frazier was not on board with the idea, claiming that the option was a bit "off the rails". Grant was ultimately deemed too young and confident to play the Bhaer of the book that Frazier, Di Novi, and Armstrong wanted. John Turturro also lobbied persistently for the role, but Frazier wanted a deeper and more poetic Bhaer, and decided on Gabriel Byrne.[5]

Filming

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The 1994 adaptation of Little Women was filmed primarily in parts of Canada, such as Vancouver Island and Vancouver, both in the province of British Columbia. However, certain scenes were shot in the United States, specifically Massachusetts.[10] Gillian Armstrong was adamant about creating a look that remained faithful to Little Women's time period.[11] The overall aesthetic for the film was heavily influenced by photographs, paintings, and drawings from the Civil War era, the period when the novel Little Women was written.[12] Armstrong, cinematographer Geoffrey Simpson, art director Jan Roelfs, and costume designer Colleen Atwood sought inspiration from artworks of the era for the sets, costumes, color coordination, and even camera lighting.[13][12]

The film is dedicated to murder victim Polly Klaas and literary agent Judy Scott-Fox.[14]

Reception

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Critical reception

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On Rotten Tomatoes, 92% of 100 reviews were positive, with an average rating of 7.7/10. The site's critics consensus reads, "Thanks to a powerhouse lineup of talented actresses, Gillian Armstrong's take on Louisa May Alcott's Little Women proves that a timeless story can succeed no matter how many times it's told."[15] On Metacritic, the film has a weighted average score of 87 out of 100 based on 23 critics, indicating "universal acclaim".[16] Audiences polled by CinemaScore gave the film a grade of "A" on an A+ to F scale. Ratings were positive across all ages and groups, with the lowest being an A-minus grade from men.[17]

Roger Ebert of the Chicago Sun-Times awarded the film 31⁄2 stars, calling it "a surprisingly sharp and intelligent telling of Louisa May Alcott's famous story, and not the soft-edged children's movie it might appear." He added, "[It] grew on me. At first, I was grumpy, thinking it was going to be too sweet and devout. Gradually, I saw that Gillian Armstrong [...] was taking it seriously. And then I began to appreciate the ensemble acting, with the five actresses creating the warmth and familiarity of a real family."[18]

Edward Guthmann of the San Francisco Chronicle called the film "meticulously crafted and warmly acted" and observed it "is one of the rare Hollywood studio films that invites your attention, slowly and elegantly, rather than propelling your interest with effects and easy manipulation."[19]

Box office

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The film opened on 1,503 screens in the US and Canada on December 21, 1994. It grossed $5.3 million and ranked number 6 at the box office on its opening weekend and eventually grossed $50.1 million in the United States and Canada.[3] Internationally, it grossed $45 million[4] for a worldwide total of $95 million, against a production budget of $15–18 million.[2][3]

Accolades

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Award Category Nominee(s) Result Ref.
Academy Awards Best Actress Winona Ryder Nominated [20]
Best Costume Design Colleen Atwood Nominated
Best Original Score Thomas Newman Nominated
Artios Awards Outstanding Achievement in Feature Film Casting – Drama Carrie Frazier and Shani Ginsberg Nominated [21]
BMI Film & TV Awards Film Music Award Thomas Newman Won
Boston Society of Film Critics Awards Best Supporting Actress Kirsten Dunst Won [22]
British Academy Film Awards Best Costume Design Colleen Atwood Nominated [23]
Chicago Film Critics Association Awards Best Actress Winona Ryder Nominated [24]
Best Supporting Actress Claire Danes Nominated
Most Promising Actress Nominated
Kirsten Dunst Won
Chlotrudis Awards Best Movie Nominated [25]
Best Actress Winona Ryder Nominated
Best Supporting Actress Kirsten Dunst Nominated
Dallas–Fort Worth Film Critics Association Awards Best Picture Nominated
Kansas City Film Critics Circle Awards Best Actress Winona Ryder Won [26]
Movieguide Awards Best Movie for Families Won
Satellite Awards Best Classic DVD Nominated [27]
USC Scripter Awards Robin Swicord (screenwriter);
Louisa May Alcott (author) 		Nominated
Writers Guild of America Awards Best Screenplay – Based on Material Previously Produced or Published Robin Swicord Nominated [28]
Young Artist Awards Best Family Motion Picture – Drama Nominated [29]
Best Performance by a Youth Actress Co-Starring in a Motion Picture Claire Danes Nominated
Kirsten Dunst Won

Year-end lists

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Home media

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The film had its initial North American video release on VHS on June 20, 1995. It was released on DVD on April 25, 2000.[2][47] It was later given a Blu-ray release three times, including a manufacture-on-demand version from Sony which was released on December 13, 2016,[48] and again on March 24, 2020.[49] The 2016 release was a part of the Sony Choice Collection.[48] On October 29, 2019, Mill Creek Entertainment released Little Women in a double feature Blu-ray edition alongside Kirsten Dunst's fellow film Marie Antoinette.[50] On November 19, 2024, the film was released on 4K U.H.D.

Novelization

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In 1994 Pocket Books published a film tie-in novel, Little Women, by Laurie Lawlor, which was based on the film screenplay by Robin Swicord, and not on the original Louisa May Alcott novel.[51]

See also

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References

[edit]
  1. ^ "Little Women (1994) – PowerGrid". thewrap.com. Archived from the original on December 1, 2017. Retrieved August 13, 2015.
  2. ^ a b c "Little Women (1994) – Financial Information". The Numbers.
  3. ^ a b c "Little Women". Box Office Mojo. Retrieved April 1, 2020.
  4. ^ a b Klady, Leonard (February 19, 1996). "B.O. with a vengeance: $9.1 billion worldwide". Variety. p. 1.
  5. ^ a b c d e f g h i j k Spencer, Ashley (September 12, 2019). "'Little Women': An Oral History of the 1994 Adaptation". The New York Times. Retrieved November 29, 2020.
  6. ^ Handler, Rachel (December 23, 2019). "How 1994 Little Women Director Gillian Armstrong Convinced Men to See Her Film". Vulture. Retrieved December 15, 2023.
  7. ^ Johnson, Ally (March 6, 2020). "Little Women and Gillian Armstrong's Brilliant Career". RogerEbert.com. Retrieved December 15, 2023.
  8. ^ Murray, Scott (March 1995). "Passionate Women". Cinema Papers. Vol. 103. Retrieved November 21, 2020 – via Issuu.
  9. ^ Francke, Lizzie (April 1, 1995). "What Are You Girls Going To Do?". Sight & Sound. p. 28.
  10. ^ "Little Women (1994) Locations". LatLong. Retrieved November 21, 2020.
  11. ^ Murray, Scott (October 25, 2016). "Passionate Women". Issuu. Cinema Papers. Retrieved November 21, 2020.
  12. ^ a b Goodwin, Betty (December 29, 1994). "Old Look, New Reality The Movie: "Little Women"". Los Angeles Times. Retrieved December 15, 2023.
  13. ^ Armstrong, Gillian (director) (2000). Little Women (DVD) (Audio commentary). Sony Pictures Home Entertainment. Retrieved December 15, 2023.
  14. ^ McCarthy, Todd (December 14, 1994). "Little Women". Variety.
  15. ^ "Little Women (1994)". Rotten Tomatoes. Fandango. Retrieved December 1, 2024.
  16. ^ "Little Women (1994) Reviews". Metacritic. CBS Interactive. Retrieved April 20, 2019.
  17. ^ Higgins, Bill (November 28, 2019). "Hollywood Flashback: Winona Ryder Got an Oscar Nom for 'Little Women' in 1994". The Hollywood Reporter.
  18. ^ Ebert, Roger (December 21, 1994). "Little Women". Chicago Sun-Times. Retrieved April 1, 2022 – via RogerEbert.com.
  19. ^ Guthmann, Edward (June 23, 1995). "Film Review – 'Little Women' Draws You in With Slow Grace". San Francisco Chronicle. Retrieved August 13, 2019.
  20. ^ "The 67th Academy Awards (1995) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on November 9, 2014. Retrieved November 20, 2011.
  21. ^ "1995 Artios Awards". Casting Society of America. Retrieved July 9, 2019.
  22. ^ "BSFC Winners: 1990s". Boston Society of Film Critics. July 27, 2018. Retrieved July 5, 2021.
  23. ^ "BAFTA Awards: Film in 1995". British Academy Film Awards. Retrieved September 16, 2016.
  24. ^ "1988–2013 Award Winner Archives". Chicago Film Critics Association. January 1, 2013. Retrieved August 24, 2021.
  25. ^ "1st Annual Chlotrudis Awards". Chlotrudis Society for Independent Films. Retrieved July 25, 2022.
  26. ^ "KCFCC Award Winners – 1990–99". Kansas City Film Critics Circle. December 14, 2013. Retrieved May 15, 2021.
  27. ^ "Nominees & Winners – Satellite™ Awards 2005 (10th Annual Satellite™ Awards)". International Press Academy. Archived from the original on February 2, 2008. Retrieved April 7, 2019.
  28. ^ "Awards Winners". Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
  29. ^ "16th Annual Youth in Film Awards". Young Artist Awards. Archived from the original on August 20, 2010. Retrieved March 31, 2011.
  30. ^ Bates, Mack (January 19, 1995). "Originality of 'Hoop Dreams' makes it the movie of the year". The Milwaukee Journal. p. 3.
  31. ^ MacCambridge, Michael (December 22, 1994). "it's a LOVE-HATE thing". Austin American-Statesman (Final ed.). p. 38.
  32. ^ P. Means, Sean (January 1, 1995). "'Pulp and Circumstance' After the Rise of Quentin Tarantino, Hollywood Would Never Be the Same". The Salt Lake Tribune (Final ed.). p. E1.
  33. ^ Craft, Dan (December 30, 1994). "Success, Failure and a Lot of In-between; Movies '94". The Pantagraph. p. B1.
  34. ^ Strauss, Bob (December 30, 1994). "At the Movies: Quantity Over Quality". Los Angeles Daily News (Valley ed.). p. L6.
  35. ^ Schuldt, Scott (January 1, 1995). "Oklahoman Movie Critics Rank Their Favorites for the Year Without a Doubt, Blue Ribbon Goes to "Pulp Fiction," Scott Says". The Oklahoman. Retrieved July 20, 2020.
  36. ^ Turan, Kenneth (December 25, 1994). "1994: YEAR IN REVIEW : No Weddings, No Lions, No Gumps". Los Angeles Times. Retrieved July 20, 2020.
  37. ^ Siskel, Gene (December 25, 1994). "The Year's Best Movies". Chicago Tribune. Archived from the original on December 28, 2022. Retrieved July 19, 2020.
  38. ^ Webster, Dan (January 1, 1995). "In Year of Disappointments, Some Movies Still Delivered". The Spokesman-Review (Spokane ed.). p. 2.
  39. ^ Clark, Mike (December 28, 1994). "Scoring with true life, 'True Lies' and 'Fiction.'". USA Today (Final ed.). p. 5D.
  40. ^ Zoller Seitz, Matt (January 12, 1995). "Personal best From a year full of startling and memorable movies, here are our favorites". Dallas Observer.
  41. ^ Ross, Bob (December 30, 1994). "1994 The Year in Entertainment". The Tampa Tribune (Final ed.). p. 18.
  42. ^ Maslin, Janet (December 27, 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved July 19, 2020.
  43. ^ Lyons, Jeffrey (host); Medved, Michael (host) (January 6, 1995). "Best & Worst of 1994". Sneak Previews. Season 20. WTTW. Retrieved February 20, 2024.
  44. ^ Arnold, William (December 30, 1994). "'94 Movies: Best and Worst". Seattle Post-Intelligencer (Final ed.). p. 20.
  45. ^ Elliott, David (December 25, 1994). "On the big screen, color it a satisfying time". The San Diego Union-Tribune (1, 2 ed.). p. E=8.
  46. ^ Mills, Michael (December 30, 1994). "It's a Fact: 'Pulp Fiction' Year's Best". The Palm Beach Post (Final ed.). p. 7.
  47. ^ Beierle, Aaron (May 16, 2000). "Little Women: Special Edition". DVD Talk. Retrieved December 15, 2023.
  48. ^ a b "Little Women Blu-ray (Choice Collection)". blu-ray.com. Retrieved December 15, 2023.
  49. ^ "Little Women Blu-ray". blu-ray.com. Retrieved December 15, 2023.
  50. ^ "Little Women (1994) / Marie Antoinette (2006)". High-Def Digest. Retrieved December 15, 2023.
  51. ^ Lawlor, Laurie (1994). Little Women. Pocket Books. title page. ISBN 978-0067151907.
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